| The Red CircleLe Cercle Rouge
 review by Carrie
            Gorringe, 20 June 2003
 Seattle International Film Festival
            2003 Never
            let it be said that the characters in a Jean-Pierre Melville film
            ever lacked a sense of style.  Even
            in a state of impending ruination (as in his Bob le Flambeur),
            they handle things with such incomparable panache and a great
            appreciation of the ironies of life so as to transcend mere
            "coolness".  Filmmaker
            John Woo, no stranger himself to personal style, has provided
            filmgoers with a wonderful gift, having supervised the restoration
            of Melville's 1970 classic, Le Cercle Rouge (The Red Circle). 
            Based on a Bhuddist proverb which states that all men who are
            destined to meet will do so in the red circle (this arcane info. 
            is provided in introductory titles), the film really is about
            three men on the edges of society who are trying for one last score
            to improve their lot, or, in one case, to prove that he still has
            it.  A sophisticated
            thief (Alain Delon), an escaped convict (Gian Maria Volonte), and a
            dipsomaniacal ex-policeman (Yves Montand) find each other by –
            what else? – chance and conspire to knock over the Bucheron
            jewelry store in Paris – a heist that could net them over five
            million francs.  Meanwhile,
            they have to conquer the store's advanced security system and stay
            one step ahead of a vengeful crime boss. 
            Everything seems to be going their way, or is it? 
            To his credit, Melville keeps everything in the air until the
            last minute.  His
            sparse, yet elegantly-constructed, screenplay maintains an
            unrelenting sense of suspense from beginning to end.  The cinematography, by the legendary Henri Decaë (he shot Bob
            le Flambeur, as well as Truffaut's The 400 Blows) 
            is a textbook study in exquisiteness: 
            Decaë managed the almost superhuman feat of washing each
            frame in a cold grey tint, while somehow managing to render the
            deepest, most velvety black tones I've ever seen in a color film. 
            Do yourself a favor:  see
            this film in a theatre, or, at the very least, a large-screen TV. 
            Give it the setting it deserves. 
 Seattle International Film Festival: Reviews: Interviews: 
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            Written andDirected
            by:
 Jean-Pierre Melville
 Starring:Alain Delon
 Bourvil
 Gian Maria Volonté
 Yves Montand
 Paul Crauchet
 Paul Amiot
 Pierre Collet
 André Ekyan
 Jean-Pierre Posier
 François Périer
 Yves Arcanel
 René Berthier
 Jean-Marc Boris
 Jean Champion
 Yvan Chiffre
 Written
            by:Kin Yee Au
 Nai-Hoi Yau
 Rated:NR - Not Rated.
 This film has not
 been rated.
 
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