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Simon Birch
Review by Elias Savada
Posted 11 September 1998
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Directed by Mark Steven Johnson. Starring
Ian Michael Smith, Joseph Mazzello,
Ashley Judd, Oliver Platt, and David Straithairn
Written by Mark Steven Johnson,
suggested by the novel "Prayer for Owen Meany"
by John Irving . |
The brilliant fall foliage
of folksy Gravestown provides a lovely opening for this well meaning but fatally flawed
drama of New England small town prejudice and hidden relationships. Unfortunately, Simon
Birchs bark shrivels under the weight of its two-hour length and dramatically
under-developed script. Had it been a half-hour shorter than its nearly two hour length
and more emotionally seeded in its story than its characters, writer and rookie director
Mark Steven Johnson would have had a better picture for you to enjoy, instead of the
maudlin drivel it is. Instead, Simon Sez this will probably not have much of a chance
against its chief new competition. No, not Rounders.
Yes, The Starr Report. Youre downloading it, overloading the internet over
it, reading it, and watching television specials about it. Heck, I wonder if anyones
been going to the movies lately. Which has nothing to do with why Simon Birch
didnt work for me, but adds another reason why Simon Birch probably
wont make it out of the box office gate.
Johnson, who penned
Grumpy Old Men and its sequel, graduates to a piece (truncated in spades from John
Irvings Prayer for Owen Meany) squarely resting on two individuals
generations younger than the stars of his earlier efforts. And while these two kids give
it the ole Sunday school try, theyre placed in a void of a thirty-something
flash-back screenplay that punctures any possible tension in the screenplay by telling us
(through a cloying voice-over by a non-comedic Jim Carrey as one of these stars many years
later) two key plot developments at the films opening.
This slow moving tale centers on the friendship of one simple Simon (Ian Michael
Smith), a pint-sized pre-teen with a big heart and grand intentions, and his best friend,
the bright Joe Wenteworth (Jurassic Parks Joseph Mazzello), a son born out of
wedlock to an earth-goddess mother (Kiss the Girls Ashley Judd). Her refusal
to reveal the identity of Joes father in 1960s America would suggest her being
branded an outcast, but her immaculate honesty and stunning beauty instead merit worship
by many of the towns male population, especially the diminutive Simon. Go figure.
Smith, a truly gifted non-actor, has most of the best moments in the film and shows a
genuine gusto in tackling the role of one of lifes "peculiar little
disappointments."
When a foul ball hit
by Simon removes Rebecca Wenteworth from the picture, the film begins to further deflate.
The boys embark on a stealth quest in search of Joes dad, while Simon continues his
nagging and endless commentary on his heroic destiny. Sprinkled about their playing field
are a handful of talented actors in search of a script. Jan Hooks is the autocratic Agnes
Leavey, a prissy bible-belt teacher who gets a hellish comeuppance courtesy of "Baby
Jesus" Simons sudden infatuation with a fellow schoolmates budding
bustline at the Christmas Pageant. (I guess even martyrs-to-be are human.) Oliver Platt (Funny
Bones, Bulworth) is local drama teacher Ben
Goodrich, a intrepid suitor of Rebeccas affections who befriends the boys with a
stuffed armadillo and a plateful of peas, then later offers heartfelt homilies as
pseudo-dad/cheerleader to the youngsters in lieu of proper instruction from Rebecca or the
local priest, acceleratingly morose Reverend Russell (David Straithairn).
Of course, the discovery of Joes dads identity and saintly Simons
"I-told-you-so" heroics bring the film crashing to its icy saccharine
conclusion. And its definitely several tear-inducing moments overdue
for me and
probably for you. Hey, if you want a sugar fix, go buy a milkshake. Geez, guess I really
am just a grumpy old man.
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